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| Pete Rock |
Via Complex:
“I know one of Kanye’s bodyguards, and he told me that Kanye was looking for me. I just grabbed this bag of discs—these discs hold at least 50 beats apiece—and went to Hawaii. [Laughs.] That was my first time ever going to Hawaii, so I was blown back by the weather and the beach. It’s a beautiful environment to make music in. I immediately said to myself, ‘This is why he’s here!’ No one bothers you and you’re free as a bird; an important part of being creative is being able to be free in a good environment where you can make music and there’s no interruptions or disturbance or anything. When I got there, Kanye was in the chair in the studio getting his hair cut. He played the ‘Power’ song from before he even put the lyrics on it and he was spittin’ the lyrics to me. I’m real critical of emcees, but when I hear Kanye spit, it opens me up like a flower, man. I used to hear him spit my name in his own records before he even got with me, and I used to say to myself, ‘Damn, he says my name in more than two or three records! Maybe he’s trying to let me know he wants to work with me.’ The studio kind of reminded me of back in the days when I used to work on three or four projects at once, doing it all in the studio. That’s what he was doing—running back and forth from room to room to room to room. He had Kid Cudi upstairs, he was working on his album downstairs, then doing a mix on another record, and it straight reminded me of what I used to do back in the ’90s. He played ‘Runaway’—and as soon as I heard the drums come in, I just started laughing. He used my drums from Mecca and the Soul Brother! I used these drums in an interlude before this record called ‘The Basement,’ and those drums come on before the song. I never heard anybody make a song the way he made it out of those drums. I thought that was genius.”
"When I picked up my head from sleeping, he was looking at me in the strangest way I've ever been looked at by a human being."
NICKI MINAJ / Freshman phenom, president of Barbie Nation
"I heard through Drake that Kanye wanted me on his album, and I got on the next thing smokin' to Hawaii. I didn't think that he was gonna like me. I always figured that he was one of those conscious rappers, so I thought that he wouldn't want girls to be dressed overtly sexy—and I go to the studio and he has nothing but pictures of naked women on his computer that he'd invite me to look at. They were really artsy pictures, but you know he loves nudity, so it was a complete shock to me, 'cause I thought I had him all figured out, but I didn't. He was watching porn when we were in the studio—no shame in his game. Kanye kept askin' me to come and eat breakfast, but I like to record in the morning. So, when they were eating breakfast, I was in the studio listening to music and writing. And he would always be like, ‘Yo, why you ain't never come over for breakfast, yo?’ But I never went. I would get to the studio at like 10:30 in the morning and he'd be leaving to go home and eat breakfast and I'd be getting to the studio to just write and record. I stayed late sometimes, but I was always getting sleepy. I get up at 6 in the morning, so midnight is late for me. One time he caught me nodding off, and I thought maybe he would kick me out. I've never been so embarrassed in my life. You know how you're sitting up and you don't realize that you've just fallen asleep, but it feels like an eternity? When I picked up my head from sleeping, he was looking at me in the strangest way I've ever been looked at by a human being. He pulled his shades down and he looked and said, ‘Oh, she's sleeping?’ I wanted to crawl under a rock and die. [Laughs.]
"He's a legend in hip-hop and in pop culture and to be on his album is a blessing. I don't even remember him ever working with a female rapper, so to be on an album and on a record this monstrous? I couldn't have planned it better in a perfect world. I remember a conversation I had with Kanye every time I sit down to write now. Every single time I sit down, I remember him asking, ‘What is it that you wanna say? It's not about rhyming words, it's about what you really wanna say.’ The fact that he wasn't even looking at me when he said it—he was on the computer looking at naked girls, I think—it was just a life-changing experience. Outside of Wayne, no one has ever spoken to me that way and caused me to better my craft. I credit him with bringing out something miraculous in me, I really do."
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